Shreyasi - Mid Term Assignment
1. A Shifting poem
When you say, You have got to be funny,
that's when You actually start becoming funny.
I mean the moment you say something is funny,
it becomes funny.
I mean funny itself is not a funny word.
I mean confidence comes in funny ways.
Like the time when mum thought I was throwing tantrum
But really, I was only throwing food around.
My mother laughs at this now
But at that time, she stopped
the cassette that played ‘mai nikla o gaddi leke’
And listened to Jagjit Singh
For the whole time, I collected my tantrum.
We ran 11 houses to get to the building where we are now
and it will be really funny if you believed that 11
were the only houses we shifted away from.
The funny thing with houses is they do not shift. People
do. And yet people say -
we are moving houses.
We were all watching Jagjit Singh on television
when mum said that her sadness level is not Jagjit Singh
vala level
and asked me to change the channel.
After the song finished, she changed to the one playing
‘tujhse naraaz nahi
zindagi’
And we listened to that too.
Sometimes as a family we watch only one song.
Sometimes as a family we dream only one dream.
In one dream, when the first robbery was about to happen,
we were all sleeping. We were dreaming even in that
dream.
Dreams acted funny that night
as all four of us dreamt of dinosaurs getting robbed of
their attitude.
With all this, sometimes,
We calculate how 11 is
Not a big number. What is it.
Just 1 added 11 times.
And bricks are not that big a deal.
It is my theory that a funny way of getting to know
people,
is to find out how people shifted there,
How they shift,
How they are
Shifting.
Shifting is a verb that loses action, becomes an
adjective, takes on a proper noun, makes up a poem all about itself
every time we add 1 to 1. One day
we even turned living room à
bedroom
and bedroom à
living room.
Every time, my art teacher asked me
To draw living room in my art file,
I have flipped the page.
I mean confidence comes in funny ways.
2. The
first house
The first house
Was a setting of red bricks soaking the Sun
Was a lamp that made yellow a bit too dark
Was a colour that became a photograph.
The first house was a chapter in learning
That the best way is to keep changing.
Its roof was a boomerang of graduation caps
tipping over and over,
It did not stand the test of thunderstorms.
It was a teacher that failed a lot of seasons.
Its flooring was not a cemented conversation
Or a tiled approach on how to build relationships.
The first house was making way for dictations
Which never practiced to spell what is not a house.
Not a house is a dialogue open
At the cost of inviting tremors
On which shifting is as major an event
as an earthquake is.
The first house will always precede
All the other houses
Which is to say it is also a memory
That we had to move out
And moving out can be a Go To Place
If you have a place to get to.
Prompt - Write two poems, each in the voice of any historical or
mythological character of your choice. You may want to choose a particular
moment in that character's life and attempt to explore how they would respond
to that moment.
1. Regulus
Black speaks
When I open a coffee shop
I will sell telescope that will look at sky
But will not search for stars
I will tell people to look out for constellations
And locate their childhood
Which will not look like a comparative study.
There is no at par in comparative study
There is only captive in comparative study
In my universe
my coffee shop,
my menu
I will tell them about Sirius constellation
Which does not remain a character in a book
Did my parents see a problem in me?
Did they want their sons to highlight an issue?
Did they want to draw attention to an injustice?
Because there has to be some reason for naming their son
Sirius black
Or Were they just being punny?
Or were they trying to point out how we don’t see stars
in children?
So, they literally named their children Sirius and
Regulus.
And see how irregular things Regulus did.
You cannot keep opening coffee shops
without paying bills
for caffeine
You cannot keep offering telescopes
without seeing
that there is no scope for star gazing.
[ Poet's note: Character in Harry Potter Universe. Here in this poem Regulus responding to the pressure of comparison that he faces (because of being born in the rich Black family and being the brother of Sirius Black) and how he might have his own dreams. ]
2. What
Kreacher says
To have a creature, named Kreacher
And show, slavery sometimes,
May not even be aware of being a captive.
That slavery will cause master’s death.
I am not sorry Padfoot.
Here Padfoot will not become Sirius black
Here the lakhon mei
ek will mean counting from ek to
laakh
Padfoot does not bark now when elephants walk by.
Barking is no longer an act of attraction
when others are ignoring simple issues
Just because issues are simple
does not mean they do not bite.
Someone once said
You cannot keep taking away from a positive integer
Without turning it into negative
No, you can’t. You definitely can’t.
[ Poet's note: Character in Harry Potter Universe. Here in this poem, I am talking about a particular moment when Kreacher realises that he was an accomplice in murdering Sirius Black. Kreacher has now grown old and knows that Sirius Bkack could turn into a dog, Padfoot, and therefore it kind of pinches him more that he killed two beings. Kreacher is trying to also say that how their community of elves is still being ignored and why is that also the reason of him being so negative. ]
Prompt - Read 'Learning the Poetic Line: How line breaks shape
meaning' by Rebecca Hazelton -
https://www.poetryfoundation.org/articles/70144/learning-the-poetic-line. Write
two poems where each poem has at least two deliberate line-breaks using any of
the "Wagner’s six S’s: speed, sound, syntax, surprise, sense, and space."
In a small note after each poem, explain your usages of these line-breaks.
1. We
got furniture talking
We got furniture talking
Taking in heat from the furniture as well
In the midst of summer season.
The dining table sulked in a corner
The chairs didn’t let us sit
The boxes dismissed us in one flap
And my mother continued reciting:
“The sofa needs to be new”
“The bed needs to go”
“The fridge needs to fly”
…
… but
But [ss1]
‘but it is 20 years old’ is my only excuse
For saving all of them
She says they are old
And look look look
We keep celebrating ironies on birthdays!
We got furniture talking
When the rumour has it
That the taps started leaking.
I really thought how nice of them to cry for us.
When we left, the power went off
Maybe the house really didn’t want to see us leaving.
We got furniture.
Talked[ss2]
To forget doorbells with caller tunes
To forget phone numbers scribbled on sofa hands
And thanked chair for not breaking down
When the tallest person came to repair fan,
Thanked the fan that spared their neck and
Hair.
We got furniture talking
Almost every day of this place.
Almost every day
of this place [ss3]
Placed value to seasons
That collected in furniture most days.
Making birthdays
Seem like all the days
Furniture stuck around.
[Poet's note: [ss1]Here to produce a sense of hesitation
[ss2]To produce a sense of time elapsing and syntax
[ss3] To produce speed.]
2. It has come to this
It has come to this
Soon this summer will end
That friends
will
lose friends [ss1]
That Thank-you Notes can be sad.
It has come to this
Somewhere in the past we knew
It will come to this
Somewhere in the future we will be
Checking on each other.
Soon this summer will end
I will go to India Gate and
Discover weather
Say it is hot for winter
Soon that winter will win me over
I will eat ice cream.
They will eat ice cream.
There are thank you notes tucked away
somewhere in memory, as we laugh anyway
It has come
to this – That calling up friends will be seen
As an act of
love.
The ice cream
melts[ss2]
Next summer will come with a new record.
Soon
this
summer
will
end. [ss3]
[Poet's note : The font colour is unintentional. All font must be read in black. In some places, the font is coloured as brown. Please read it in black only.]
[Poet's note for Poem- It comes to this
[ss1]The
effect of distance
[ss3]I
wanted to show the circle of life. That sadness is transitory, but not that the
circle exits in a circular way. That this sadness can be piercing too. Through
the line break I wanted to achieve that effect of soft sadness and hope.
]
Shreyasi! I really enjoyed reading 'We got furniture talking! Chairs who don't let people sit sounds so wonderfully grumpy. Is this poem about shifting houses also?
ReplyDeleteThank you Anna! Yes it is about that
Deletereally liked your writing specially i felt a connection with the first house, there was a tinge of nostalgia which i really liked
ReplyDeleteThank you Trishanku! I am glad you could find some place to relate to. And yes i did feel nostalgia when i re-read it. Thanks for letting me come back to it
DeleteI know to know what made you equate shifting and earthquake together? is it just because of the simple fact that earthquake happens when tectonic plates shift or did you think of something different?
ReplyDeleteloved the whole idea of shifting and how you depicted it in the shifting poem. In the furniture poem I could not understand what you tried to achieve with the time laspe thing with "Talked"
Tectonic plates are always shifting. Not all shifting results to earthquake. But here in the line I wanted to point out the graveness of shifting, especially when there is so much uncertainity (that you do not even know whether you have a house to get to also or not), so in such a case any act of change feels like earthquake. In the 'we got furniture talking' , by that Talked line i wanted to create the feeling of drowning out all those memories that remind you of previous home. Since the house is stranger, the voice echoes very first time. I wanted to give the word 'talked' its own space so that it creates that setting. But now i do see how i am unable to do it in the poem. Thank you so much for reading the poems and letting me understand too.
Delete